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Segundo de Chomón became involved in film through his wife, who was an actress in a Pathé films. In 1902 he became a concessionary for Pathé in Barcelona, distributing its product in Portuguese-speaking countries and managing a factory for the coloring of Pathé films. Eu began tiro footage of Portuguese locations for the company, then in 1905 moved to Paris where he became a trick filme specialist. The body of work eu created over five years was outstanding. Filmes such as Le spectre rouge (1907), Jogos chineses (1907), Le voleur invisível (1909) and Une excursão incohérente (1909) are among the most imaginative and technically accomplished of their age. De Chomón created fantastical narratives embellished with ingenious effects, lindo, cor, innovative hand-drawn and puppet animation, tricks of the eye that surprise and delight, and impressionante turns of surreal imagination. It is curious why he is not generally known as one of the early cinema masters, except among the cognoscenti in the field. Perhaps it is because there is a smaller body of work than that created by Georges Méliès (his works can perhaps be described as a cross between that of Méliès, and another who combined trickery with animation, Émile Durante); perhaps it's because he was a Spaniard working in France for the key part of his filme career that has meant that neither side você championed him as much as they might have done. De Chomón carried on as a filmmaker, specializing in trick effects, working for Pathé, Itala and others, and contributing effects work to two of the most notável films of the silent era, Giovanni Pastrone'a Cabiria (1914) and Abel Gance'a Napoleão (1927).
Filmes feitos por Segundo de Chomón (115)
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Filmes estrelados por Segundo de Chomón (3)
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