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Nacha Guevara (born Clotilde Acosta, October 3, 1940) is an Argentine singer-songwriter, dancer and actress from Mar de Plata, Buenos Aires province. With the poet Mario Benedetti musician and Alberto Favero, 1973 trained as a dancer and actress, she discovered by chance a career as a singer becoming a symbol around 1968 in the avant-garde movement at Instituto torcuato Di Tella em Buenos Aires, the preeminent pioneer center for visual and theater experimentation at that time. She was a controversa figura cult in the underground movement and as a singer-songwriter in the "café-concerto" scene, singing and tunes parodies by Boris Vian, George Brassens, Tom Lehrer, Nicolas Guillén and Argentine writers incluindo Julio Cortázar, Jorge de la Vega, Ernesto School and others. According to a 1974 interview, she adopted her stage name in the mid-1960, "Nacha" as a family tradition, and "Guevara" due to a "problem of identity", before Che was well known.[2] At the beginning of 1970, one of her central works was Nacha sucesso Benedetti, where she and Alberto Favero, musical partner and at that time husband, adapted some of the most famous poems of Uruguaio poet Mario Benedetti to music. In 1973 she obtained great recognition by critics and audiences with a big revue named As mil e uma Nachas ("One thousand and one Nachas"). Nacha Guevara exiled herself first to Peru e México em 1974, threatened by the Double death squad. She attempted to make a comeback in 1975 with a new version of As mil e uma Nachas. The show was never performed. After the dress rehearsal prior to the opening night, a bomb " destroyed the theater, killing a member of the crew para subject girls / monark and her to flee the country once more. She continued a successful career in Mexico, Cuba and Spain with performances in New York, Chicago and Havana too, before returning to Argentina. Nacha Guevara você acted in numerous Argentine films, as well as on Broadway. However, she is best known for her extensive carreira musical, which has been realized throughout the world and over several decades. After the end of the Argentine dictatorship, she came back to her native country em 1984. In 1986 she starred Pedro Orgambide'a Eva, an Argentine answer to the musical " Evita by Andrew Lloyd Webber. The show was eu for a bigger version in 2008 and renamed Eva, the great Argentinean musical. In the last decades she won recognition as an actress, participating in movies and TV shows such as Asas, Poder e Paixão ("Wings, Power and Passion") and films ás O Lado Escuro do Coração ("The Dark Side of the Heart") and its sequel, where she plays Death, a symbolic character who is in love with the hero and harasses him, trying to take him to the other side.