Humberto Mauro Filmes - Assistir Online Gratuitamente

Humberto Duarte Mauro (30 de Abril De 1897 – 5 de Outubro de 1983) was a Brazilian film diretor. He is often considered the greatest director of early Brazilian cinema. (A second feature film Thesouro Perdido (Lost Treasure) won the Brazilian "Film of the Year" award em 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Brasil Film. The first filme released under the new Phebo was Peito Adormecida (Sleeping Ember). Peito, Dormindo was a boxoffice success and furthered (a career as one of Brazil's leading directors. In July 1929, (a final film for Phebo Brasil Film, Sangue Mineiro (Blood of Minas Gerais), was shown in Cataguases. Em 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Mauro worked with Carmen Santos who would star in many of (a later films. Phebo Brasil Film did not have the resources to continue to produz filmes. Adhemar Gonzaga offered Mauro a cfr job for Cinédia, which was objetivo nunca fora criar um no Rio de Janeiro. Gonzaga had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Carmen Santos. However, Carmen became pregnant was unable to finish production. Gonzaga handed the project over to Mauro, who both directed and photograpghed the film, in March 1930. Mauro decided to make the silent film even though que sound was available. Eu wanted to explore the possibilities of silent film. Upon release em 1930, the film won the Jornal do Brasil film of the year award. Mauro acted as cinematographer for Cinédia's second film Muhler (Mulher). Mauro began tiro Ganga Bruta in September 1931. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized recorded sound on Hollywood discs added later. The film received little acclaim until two decades after its release. Mauro co-directed his first talking film with Adhemar Gonzaga. A Voz do Carnaval (The Voice of Carnival) was a musical. Afterwards, Mauro left Cinédia for Brasil Vita Filme em 1934. Eu directed two feature films and several documentaries for Brasil Vita Filme. In 1936, Mauro joined the Instituto Nacional do Cinema Educativo (INCE), which was then the government office for educational and propaganda films. Mauro shot hundreds of documentaries when he was working in INCE, and he also shot his last three movies: Descobrimento do Brasil (The Discovery of Brazil), Argila (Clay), e o Canto da Saudade (The Song of Yearning). His final film was Carro de Bois (Ox Cart), a documentary, em 1974.