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C. Dominguez, Portador (March 4, 1929 – August 13, 2014) was a Mexican film actress. Considered a crucial figure in theGolden Age of Mexican cinema. Considered one of the muses of the film diretor Emilio Fernández, who, além disso, was romantically linked for several years. She is remembered particularly for her performance in the film Rústica (1949), considered one of the jewels of the Mexican Cinema. Columba Domínguez Portador born on March 4, 1929 in lapa, paraná, Mexico, reaching very young with her family to the Mexico City. When she went to a party with one of her sisters, was discovered by the Mexican film diretor Emilio Fernández, who was assombraram by her beauty marked with very Mexican features and gives you entry to a movie with little funções in films such as A pérola (1945) e Rio Escondido (1947). In 1948, Fernandez give her the antagonistic role in the film Maclovia (1948), with Maria Félix. Her performance is praised by critics and thanks to this film, Fernández entrusted with the leading role that would become her best film: Rústica (1948). Thanks to this movie Columba rises, the stardom rapidly and becomes known worldwide to be presented at the Karlovy Vary International Film Festival. In that same year she participated in A Malquerida, with Dores do Rio and Pedro Armendariz. Preceded by the success of Rústica, Columba was contracted in Italy to participate in the film L'Edera (1950).[1] The same year, she filming Um dia de vida, which went unnoticed in Mexico, but became a huge success in the former Yugoslavia, released in 1952. Encased in native funções, Columba separates professionally Fernandez in 1952, which allowed them to become one first figure and work under the orders of other filmmakers, such as Luis Bunuel (with whom she worked in rio e da morte (1955)), Fernando Mendes (director of the cult film Ladrão de cadáveres (1957), considered one of the best Mexican horror films) e Ismael Silva (who took her to star in two masterpieces: Os Irmãos de Ferro (1961) and Animas Trujano (1962), with the Japanese actorToshiro Mifune), among others. In 1962 she participated in O tecelão de milagres, a film that represented Latin America in the IX Berlin Film Festival. Columba also made the first official nude in the Mexican Cinema in the film virtude nua. (1956). In the television, Dominguez participed in some telenovelas like A tempestade (1967) e A carruagem (1972). Her last appearance in the television was in Aprendendo a amar(1979). After her in retirement 1987, Columba was devoted to dance, humanistic art, digital (coming to exhibit in Europe) and piano. In 2008, after more than 20 years of retirement from cinema, the Mexican diretor Roberto se Apresentou, returned her to the cinema with the short film Pomba. That same year, Dominguez was honrado by the International Film Festival de Fronteira, in Cidade Juarez, in which some of the most representative titles in which he participated were projected.[2] In 2010, Dominguez made a special aparições in the films A zebra and Apagar a memória.[3] em 2012, a she participates in the film O último gole. In May 2013, Columba Domínguez was honrado with the Golden Ariel Award for her contributions to the Mexican film industry.